The piece that has the most compositional direction is the piece with the Camaro being stretched because it really is almost like an arrow pointing in a direction and can really lead the viewers to the next piece.
I believe there are more works that deal with landscape than light in the show yet seeing as the show was about landscape and light I believe they did a very good job a following the theme.
If any of the works would get lost in the exhibit they would be the ones that are from the drivers view in the car. I believe this because they are the most quiet and dull color pieces in the show. Possibly putting a brighter colored picture or image beside them would draw more attention to them.
The painting of the dog with the bone and the boat in the middle of the ocean have extremely large visual weight because of there size and how eye popping there colors are. The best way to balance them with the less visually dramatic pieces would be to to have the start a wall so that they lead people around so that people don't just stop and look at them. Because they are so visually strong there placement needs to be in a way so it helps the surrounding pieces so the others do not get lost.
I believe that the dog with the bone has the most dramatic use of color so it either needs to be a piece that starts a wall and leads people around or it needs to stand alone some where.
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